The living room coffee table was custom made from a fallen Martha’s Vineyard tree. Bursts of hot pink add vibrancy to the color palette, and exposed beams draw attention to the fourteen-foot ceilings.
Decorative beams, a stone fireplace, and a sliding barn door give the living room a rustic feel.
Lounge chairs help keep the living room as comfortable as it is elegant.
A cherry-paneled media room was painted a custom-mixed bright blue to add color and reflect light.
With no kids or pets in residence, the homeowners embraced this pale, custom-designed rug by J.D. Staron. Photographs by Jim Nickelson add a graphic punch, and gold coffee tables gleam at the center of it all.
Fauteuils from the homeowners’ prior home flank the painted limestone fireplace.
The designer’s comprehensive approach extended to the placement of the owner’s Nantucket baskets and boxes on the living room’s étagère.
The Josephine sofa from J. Robert Scott makes the living room a favorite spot for snuggling up with a book on a sunny afternoon.
A few large, simple furnishings, including sofas in muted colors, help scale the great room down to human size, but the custom Holly Hunt chandelier bespeaks rustic grandeur.
To add to the living room’s airy feel, designer Christina Sullivan Roughan removed crown molding above the French doors and hung the draperies as high as possible. The neutral palette of pale gray and white gets youthful energy with the occasional shot of sky blue.
In the family room, hemp wallcovering and wool carpeting enhance the cozy feel.
The random dots in the Stark stair runner meander from the lower level to the fourth-floor office.
The dining room’s delicate Dennis & Leen chandelier balances the heftiness of the moldings, but both share a sense of shine. In the living room, glistening nailheads and zebra fabrics add interest to the lounge chairs.
Designer Michelle Morgan Harrison introduced shine throughout the house, from the living room’s crystal chandelier to the silver-leaf coffee table to the high-gloss finish on the home’s moldings, stair balusters, and newel caps.
Just off the living room, a staircase winds up all four floors of the home, originally designed by architect Anthony J. Tartaglia.
The fireplace’s sculptural treatment adds subtle movement to the living room. The panels of the Nada Debs cocktail table can be reconfigured for a variety of looks.
Designer Beth Martell and her partner, Enda Donagher, designed the family room fireplace. As elsewhere in the house, Martell used color sparingly as an accent against a neutral palette.
Artwork by Richard Serra pops against the white walls.
A Dennis & Leen sofa with a somewhat formal silhouette plays off the room’s contemporary art.
A game table and upholstered chairs claim a quiet corner.
Cleaning revealed the deep green tones of the room’s original marble fireplace
Iconic Eames walnut stools are part of the room’s playful mix of patterns and textures.
Cathedral ceilings and skylights let the light pour into the family room, a gathering space with a quiet nook for reading up in the loft
The living room’s sofas, custom designed by interior designer Gilles Clement, get extra visual interest with built-in shelves at their backs.
The pendulous chandelier is suspended by a cascade of chains. Unfinished ceiling beams are a nod to the home’s Colonial heritage, while the black-and-white palette and graphic fabrics are a modern touch
The cocktail room’s gold paint and drapes brighten the substantial leather furniture and deep teal shelves.
Adolfo Perez designed the variable-sized circle lights that dance across the playroom ceiling. With a ping-pong table, foosball, a billiards table, and plenty of comfortable seating, the expansive space is a favorite gathering place.
A chenille sectional makes a playful sitting arrangement in the living room.
A custom billiard table in a matte lacquer matches the concrete-lookalike walls; its organic shape appears to float, softening the straight lines of the upper play area. A sliding barn door opens to the playroom for entertaining, or closes it off for privacy.
Lined with white oak, the innovative wet bar instantly transforms the front parlor into an ideal entertainment space.
New steel-framed windows give the back parlor the feel of a Parisian atelier.
The room’s wealth of texture includes a sculptural metal Jieldé floor lamp and a bold Merida carpet topped with a hide area rug.
The sparkly Ochre pendant is a modern twist on chandeliers of the past. A hide rug by Yerra references scallop shells, playing to the wife’s love of the ocean.
Tom Rickman’s engaging landscape gives the front parlor—the first room visitors see—a burst of blue sky.
Meticulous planning allowed for additional shelving and cabinetry in the family room, where Eero Saarinen’s Womb Chair from Knoll is a popular seat.
The contemporary vibe is played up with an Andy Warhol poster above a streamlined console.
A natural cleft slate fireplace studded with custom-made sconces is a focal point of the room.
The basement complete with ping-pong table and room for games galore.
Swivel chairs upholstered in blue velvet are a prime spot for enjoying conversation.
Bright, fun colors—from the wall tiles behind the wood-burning stove to the rainbow-hued carpet to the throw pillows—dominate the home’s basement level.
The second level holds a smaller seating area, grounded by a Paola Lenti rug, for intimate conversation.
Rachel von Roeschlaub Maniatis’s acrylics on LP records add a dash of color to the media room.
A bright red chair and Marjorie Minkin’s vivid artwork add energy to the serene upstairs living room without detracting from the stunning view visible beyond a generous terrace with plantings by Winston Flowers.
A soffit was extended to provide the great room’s new barrel ceiling a place to land. It also allowed the designer to inch the sofa forward by placing a thin table behind it.
Wall paneling cures multiple ills in the great room by giving the small firebox more presence while minimizing the impact of the television.
The antique pool table, turned chair, and Scottish tartan rug reference a country manor, but the purple walls, upholstery, and mantelpiece disrupt any presumptions.
The sitting room got new life as a billiards room.
Tress-Balsbaugh and her client found inspiration for the living room in photos of the Paris apartments of well-known designers. “That juxtaposition of old and new was something I was really drawn to,” the homeowner says.
In the music room, simple furniture forms and subtle colors prevent the abundance of architectural detail from overwhelming the space.
A marble floor was removed in favor of a warmer floor of wood laid in a herringbone pattern.
A large door masquerading as a wall when open, can be swung shut to block noise in the living room from reaching the rest of the home.
Light pours into the living room from the original windows of what was once the Boston College High School auditorium, casting a warm glow on the hot-rolled steel used for the fireplace and mantel.
Japanese Shou-Sugi-Ban pyrography brings out the rich grain in the wood paneling surrounding the study, and a comfortable reading nook takes advantage of the deep wells of the original windows of the historic building.
Vibrant black-and-white chairs, contemporary sconces, and abstract art are fun contrasts to the living room’s understated heirloom sofa.
Comfort in the family room includes a cozy sectional and ottoman along with a feels-good-underfoot Stark carpet.
Rich wood paneling gives the living room its cozy feel. The homeowners had used the vast felt rug in their New York City apartment but, amazingly, it was a perfect fit here as well.
The family room was previously used as a sunroom, and the homeowners admit they initially had no idea what to do with it. Rivoli suggested the transformation, and her clients love it.
The study’s vintage Arne Norell chairs, discovered in Antwerp, give the owners a perfect perch for contemplating their eye-catching light sculpture.
The Santa Teresa wool window sheers hail from Muse Bespoke in Chicago, de Santaren’s sister’s company.
A sitting area in the living room is a minimalist’s dream with its 1930s Jules Leleu chairs.
The living room’s hearthside sitting area provides a prominent place for a painting from the owners’ collection.
An immensely versatile space, the loft/family room sits at the top of the stairs on the second floor. The chrome and wicker settee was found on Nantucket. Designer Lisa Tharp papered the daybed alcove wall with book pages and ephemera to inspire daydreaming.
The windows in the room’s new bump-out bathe the space in natural light. The breezy shades can be rolled up and fastened with rope, while shutters offer flexible privacy control at the room’s front window.
The living room adopts a nautical air without being too obvious.
The living room is contemporary in feel, now that the old brick hearth has been replaced by a sleek stone surround. Easy-care slipcovered chairs flank a cocktail table of black grasscloth and brass.
A slew of Williams Sonoma pillows in a host of summery blue tones raises the living room’s comfort level, while a glass top enhances the dining table’s practicality. Leather-bound books and an antique copper boiler add to the hearth’s charm. The handsome rug pulling it all together is from Ballard Designs.
To create a lighter atmosphere for the living room, designer Patricia Lapierre removed the doors that once enclosed the lowest part of the shelving and brought in beachy accessories. She also embellished a small upholstered chair with nailhead trim, upping its character tenfold.
A bar tray holds entertaining essentials at the ready.
In the living room, accessories from Ralph Lauren Home lend an antique chest fresh personality.
A silk rug grounds the living room, where a sofa reupholstered by the designer in Venetian velvet and chairs re-covered in Osborne & Little Oriole fabric beckon. Ikat and animal-print toss pillows lend an exotic note.
Phillip Jeffries wallpaper provides a subdued background that lets the art play a starring role.
Comfy cowhide-covered swivel chairs fill the sitting space off the kitchen.
A fireplace fabricated with London Fog stone commands attention in the family room.
White sofas and a cowhide rug, glass cocktail table, and an airy cage chandelier are washed in light in the glassed-in conservatory.
Horizontal lines and a mix of light wood finishes, including walls clad in pale yellow sugar pine, contribute to the home’s seamless look.
The great room’s sitting area is anchored by the massive fireplace built with locally sourced stone. Furniture keeps a low profile, the better to focus on the views.
Sunset-colored furnishings give the library its warm ambience.
Reclaimed vintage white oak rafters add a rustic touch to the cedar-clad great room.
A view from the mudroom into the tower captures the lighthouse-inspired newel post and the cushioned hideaway beneath the stairs.
The wife’s love of bold geometry plays out in the living room’s rattan chairs. A piece of art above the fireplace conceals the TV.
In the living room, artwork collected by the client dictated the blue, white, and yellow palette.
A glassed-in gable and clerestory windows splash sunlight onto a seating area in the “away” room.
In the guest quarters, a custom-built table and vintage Klismos chairs upholstered with Stark leather cozy up to one of the Otis house’s original fireplaces.
A midcentury sideboard forms a stylistic bridge between the living room with its contemporary furniture and the dining room with its traditional Windsor chairs.
Beams from an eighteenth-century New Hampshire barn frame the view from the living room to the backyard.
In the family room, once an old fishing cabin, Sidnam reinforced the ceiling with tie rods and added clerestory windows to bring in light.
The living room gets a nice punch of color from the oversized painting by Ben Georgia above the fireplace.
Blues and whites predominate in the living room. “We just kept it beautiful, simple, and inviting,” says designer Lynn Morgan.
Adjacent to the kitchen, the family room is outfitted for comfort with an oversized sectional and a hefty leather ottoman large enough to rest an extended family of feet. Durable fabrics are key to keeping the beach house relaxed and user-friendly, says Morgan.
The room’s other seating area is geared toward conversation and the view, with all-weather outdoor upholstery to withstand wet bathing suits and the owner’s Labrador retriever, Sam.
A game table anchors the center of the great room, whose retractable doors encourage easy indoor/outdoor flow, while sectional sofas surround a TV concealed behind stainless steel panels.
Antique hand-adzed timbers crown the walls throughout the main floor, instilling a sense of history and a rustic counterpoint to the sleek limestone floors.
A Max Frintrop painting commands the kitchen’s seating area, which features a customized pair of Alvar Aalto Paimio chairs. The television over the sideboard was recessed into the wall and framed with Sheetrock for a seamless, built-in look. The Tao Gray Light limestone floors are from Exquisite Surfaces.
The compact powder room off the dining room features a custom triangular sink crafted from limestone.
A deft mix of antiques and contemporary pieces fosters a charming cottage ambience. “The wife and I had a wonderful time sourcing pieces,” says interior designer Linda Banks. “Many of them are from local sources.” Holding court in the living room, the old cherry coffee table has a waxed finish reminiscent of a boat’s deck.
The living room’s vintage black barley twist writing table was among the first purchases made for the home.
The cathedral ceiling is painted in high-gloss white to enhance the sense of height and emphasize the simplicity of the beams and trim work.
A classic barn door was updated with navy high-gloss paint and modern hardware for a polished, but rustic look.
The original entry was transformed into a sitting area, where swivel chairs surround a pierced cast-resin cocktail table, adding a sophisticated touch to the beachy vibe.
A well-placed sideboard delineates the kitchen/dining room from the living space, and does triple-duty as a bar and storage unit.
Designer Steven Favreau likes to mix and match. Here, he blends periods (birdcage chairs are a modern foil for an antique grandfather’s clock) and price points: “The room represents a range from $19 Ikea light fixtures to an $8,000 sofa,” he says, “and it all looks luscious.”
An antique folk art horse and an old rooster weathervane add character to the family room. A fish-themed mosaic floor and a porthole window give the master bath nautical flair.
Louis XIII wing chairs and a leather-upholstered ottoman help create a comfortable fireside oasis in the great room.
Most windows, like these in the porch-like sitting room, have no window treatments to hide their clean lines or mar the view.
An upper story was removed to give the great room its high ceiling and an abundance of windows.
Burke painted the paneling white and dressed the unused fireplace with a screen covered in curtain fabric. The designer refers to the recamier as her “phone booth” because she lounges on it when she makes calls. With a similar palette but a different scale, the patterned upholstery works well with the Christian Lacroix rug.
Zeytoonjian’s Bahamian roots are reflected in the Amos Ferguson paintings over the bar; elephant heads supporting the brass rail honor the home’s original owner, Republican governor Henry Roberts
The family gathers nightly to watch TV on the custom sectional, which Burke embellished with tufting, pleating, and nailhead trim.
n antique chandelier illuminates a group of Theodore Alexander club chairs in the great room, which Burke has dubbed “Club Z” for her husband, Mark Zeytoonjian.
“I really love to blend styles,” says designer Kellie Burke, who placed a modern seating group beside a traditional one in the former ballroom of her Hartford home.
The large, circular window is the centerpiece of a sitting area off the kitchen, where French bergère chairs mingle
with a wingback settee and an array of patterned throw pillows.
In the Americana room, splashes of red, white, and blue complement Deyber’s collection
of patriotic objects, including a portrait of George Washington and a trio of carved eagles.
The linen-covered chairs and sofa strike just the right balance of comfort and elegance.
A mirrored bar and Louis Vuitton trunk
make an elegant pair in the dining room. The trunk holds throws, so it’s also functional,” the designer notes.
A cowhide rug brings texture to the loft.
The living room’s high ceilings hold photosensitive panels that are blue by day and rose-colored at night.
Designer Karen Quinn discovered the striking fire screen on 1stdibs.
Inside, a barn-board wall and a stone floor evoke the home’s farm past.
To boost the ambience in the personality-filled porch along the front of the house, homeowner and designer Leslie Rylee paired the swing (devised with help from Kay Sloan, a friend whom the designer labels “jack of all trades, seamstress, and facilitator extraordinaire”) with old-time treasures like antique lamps and an end table decorated with wooden spools.
The cool grays the homeowner loves form the backbone of the living room’s decor, with blue and gold providing harmony and highlights. The sheer draperies at the floor-to-ceiling windows wear banding at the top, where the opaque fabric hides the window treatments’ mechanics.
The family room reflects the spare aesthetic of the parlors, but in a more casual way. In the adjacent dining area, vintage leather chairs surround a sleek white table.
The palette was deepened to include darker grays and tans in the comfortable media room.
“A walnut ceiling provides a cool transition to the living room,” explains interior designer Dee Elms. Small details, like the silver base on the custom ottoman, bring lightness and sparkle to the setting. Atop a Hellman-Chang Xie cabinet, even the TV gains stature. And although, says Elms, “No one ever tires of the view,” motorized sheers afford privacy when desired.
In the front parlor, modern silhouettes feature a curvaceous lounge chair from Maison Gerard.
Interior designer Manuel de Santaren’s intent was to create a
calm, blank canvas for the homeowners’ extraordinary collection of art and midcentury furnishings. In the back parlor, light-filtering window treatments contribute to that plan.
A symphony of soft hues, honest materials, and iconic pieces
like the Todd Merrill barrel chairs and the vintage Brueton sofa is performed sotto voce in the back parlor.
When it’s not glowing in ample natural light, the family room is warmed by a built-in fireplace flanked by bobbin chairs. An abstract painting by interior designer Lisa Tharp conceals a flat-screen TV when not in use.
The blue of the family room’s slim-lined TV console is nicely reiterated in the custom-framed botanical prints hugging the edges of the tall, vaulted ceiling.
Natural and organic elements—such as an orchid plant that sits in a hollowed-out stone—make the space more modern, livable, and unfussy.
The designer insists pieces like the living room sofa and chair be as comfortable as they are good -looking.
The living room’s custom sofa, coffee table, wool area rug, and built-in shelving espouse the
Arts and Crafts era’s dual emphasis on superior craftsmanship and clever use of space.
The service barn’s
second floor is devoted to a spacious, comfortable area for entertaining.
The dark-blue family-room sofa is a kid- and pet-friendly choice; a game table sits in the bay window.
The living room shares a two-way fireplace with the family room and showcases colorful abstract paintings against a neutral backdrop of staggered limestone bricks and light-colored seating. Designer Shari Pellows adds edgy energy by contrasting the cool hues of the Steven King rugs with the fiery colors in the art.
Quiet neutrals and jolts of color make the living room both serene and energetic.
The living room’s ornate mantel was preserved, while new molding has a simpler, more contemporary profile.
Tucked in what was an unused part of the attic, the husband’s office is accessible from the media room as well as a ladder from his dressing room.
With its palette of warm hues and cushy furniture, the study is a sink-in-and-stay space.
Neutral, with pleasing blue notes, the living room is purposefully calm, cozy, and curated.
Interior designer Cameron -Schwabenton aimed for an updated farmhouse feel that honors the natural environment. Well-chosen antiques are plentiful, including a circa-1880 bird’s-eye view of Keene, New Hampshire, over the fireplace, a pair of Moroccan tables with antique mirror tops, and architectural wood carvings from Kerala, India.
On a trip to Buenos Aires, Rylee and her husband discovered the living room’s mirror and black benches. The sconces are antique as are the Chinese garden seats, while the delicate chandelier is from Visual Comfort.
A fireplace surround from R.T. Facts in Kent makes a stunning focal point for the living room.
Thoughtful additions like a game table in the bay window make the family room welcoming for all ages. Even the dogs love the comfortable chairs upholstered in a paisley fabric by Jasper.
Chairs in the snug library wear a subdued Fortuny fabric, while pillows are clad in a contemporary Madeline Weinrib pattern.
The ceiling casts a rosy glow, thanks to a coat of Pantone Creole Pink paint.
A love of Moorish and Moroccan design inspired the home’s vivid colors, brilliant patterns, global accents, and eclectic blend of traditional, modern, and midcentury silhouettes. The great room sports a round sofa from Mitchell Gold + Bob Williams outfitted in a bold Fabricut fabric.
The library can be made cozier by closing it off from the adjacent living room via sliding barn doors.
The windows that wrap the sitting area reference traditional style, but their oversized proportions offer a view a farmer could only dream of. Belgian-linen upholstery, soft throws, and ample pillows plump up the comfort.
The metal serpentine-front buffet is one of Seitz’s favorite pieces, followed closely by the two standing lamps and the metal antelope’s-horn stool. The painting of the rabbit above is by Patrice Lombardi, a longtime friend of the homeowner.
The kitchen’s broad, granite-topped island provides plenty of space to cook and entertain.
Inside the connecting wing, structural beams wrapped in reclaimed wood, an industrial-style ceiling fixture, and a portrait of an inquisitive steer offer subtle reminders of life in the country.
On the lowest level, a pull-down bed lets the family room double as a comfortable private suite for the homeowner’s son.
Neutral-toned swivel chairs by Kravet share an ottoman, creating a cozy reading niche in the master bedroom.
The boldly patterned Phillip Jeffries wallpaper delights the homeowner, who admits she would never have chosen such an assertive design in her previous abode.
A contemporary Avrett pendant and butterfly-print pillows lend a youthful feel to the breakfast area.
The dining room’s eye-catching abstract painting by Boston artist Trevor Watson reflects the surroundings in its high-gloss surface.
Hogarty used space-saving tricks, like stationing stools under the living room console to act as extra seating.
The classic trellis design of the Zoffany wallpaper and the handsome Barclay sink bring personality to the powder room.
Designer Nicole Hogarty orchestrated the view from the front door as a welcoming vignette that hints at the unexpected with the inclusion of the bright-red coffee tables and bulbous pendants. “There’s no foyer, so it was important for me to create a small moment there,” she says.
Designer Andrew J. Paraskos let the view take the starring role in the family room, complementing it with furniture in sandy neutrals and grounding it with a textured rug that has a horizontal pattern to echo the transoms and subtle colors that speak to the water.
Footballs—each with a personal meaning for the homeowners—heighten the study’s intimate tone. An Urban Electric chandelier and a streamlined coffee table from the Bright Group lend a masculine feel.
Turquoise, Amber’s favorite color, was the ideal choice for the family room’s attention-getting sectional. Accessories in various shades of blue, like the Stephen Gerould lamp and oomph tray, add an additional layer of beachy interest.
The living room’s simple palette of creamy whites, soft silvers, and sophisticated shades of gray is soothing and serene. It sets the stage for a pleasing blend of ease and formality.
A broad window with a transom lets light wash over a cozy sitting area defined by tapered stone columns.
Wood, stone, glass, and an abundance of natural light define the living room, where a Dash and Albert rug delineates a seating area that includes Christian Liaigre sofas and Holly Hunt drum chairs.
Striped his-and-hers chairs and ottomans inhabit a cheerful and sunny reading lounge in the living room—one of many nooks created with a family
of book-lovers in mind.
An antique American flag anchors the airy living space and serves as an inspiration for the home’s color scheme. Modern accents, like the custom floor cubes, create an appealing contrast to the more traditional decor and neutral carpet and walls.
The walls of the family room glow with Benjamin Moore’s jewel-toned Ray of Light, a color that celebrates summer in the warm season, yet—especially when the limestone fireplace is lit—feels cozy in winter. The zippy zigzag pattern of the Stark area rug picks up on the texture of the woven Walters Wicker sofas.
“The window walls slide to the left and the right to connect the room to the landscape,” explains Hutker, who set the horizontal muntins high and low to spare the view.
An assemblage of ottomans from the husbandâs former home were recovered to create a large coffee table for the family room.
Two families blended their lives and their belongings in this home. Designer Susan Acton helped the new husband and wife forge a sense of togetherness by mixing favorite pieces (his chandelier and her Elizabeth Eakins rug) with new furniture and accessories.
A ficus from Winston Flowers echoes both a fluted column and the circular windows.
Interior designer Susan Reddick created three seating areas in sync with the rhythms of the three arched doors and skylights.
A bird’s eye view of the living room from the third level.
Designer Lucie Beauchemin installed sheer curtains that filter in light even when drawn.
A cozy book loft featuring floor-to-ceiling built-in shelves overlooks a living area with eighteen-foot windows that flood the space with sunlight.
The living room has a coastal vibe with its furniture, rug, and fabrics in varying shades of sand. “We wanted rooms that were simple and restful. Nothing that distracted from the gorgeous views,” says interior designer Jennifer Palumbo.
Artwork adds a spark of color to the living room’s serene palette of sea and sand hues.
The study, where Kramer and Celeste often take their morning coffee, shows off Murphy’s deft blending of the couple’s tastes—her preference for traditional and his for a more bohemian look.
The bed was one of the last things the couple found while working on the
decoration of the house. A multicolored woven blanket and pillows by John
Robshaw are finishing touches.
The large living room, outfitted to accommodate the homeowners and their six children as well as plenty of friends, has multiple seating areas scattered around a fireplace conceived and built by stone artist Lew French.
A half-wall and columns separate the large living room into two more intimate seating areas.
Casual comfort reigns in the more rustic family room.
The living room plays out a simple, neutral palette with a black-accented vie.
A deep Jacobean brown stains all the floors. The marbleized globe ceiling fixture was brought in from the front porch ceiling.
The pale palette is broken only by an accent wall in green, a custom color chosen to reflect a bit of the outdoors.
Interior designer Nance Vigneau styled the intimate living room with a monochromatic beige-and-tan color scheme.
Some of the bookcases architect McKee Patterson designed wear a cover of ornamental wire.
A rough-sawn oak timbered ceiling lends the kitchen and adjacent sitting area a rustic look.
The family room, part of the home’s addition, combines comfort and chic, coastal New England style with ease.
“If you’re here for a cocktail or a dinner party, you definitely play pool,” says designer Parker
Rogers, so it was important for the billiard room to make a statement. Drapes of richly colored plaid fabric lend a men’s club touch.
The living room has a formal feel without sacrificing comfort. The landscape that hangs above the mantel, which echoes the pretty palette of blues and greens, is another Vineyard find.
After admitting that her family room “just didn’t work,” Volpone took Hirsch’s advice and replaced a small coffee table with a large custom-designed painted table to better anchor the room. Twin sculptural lamps help define the room’s -sitting area.
A vintage garden trellis makes a compelling background for objects and art in the living room. Connecticut, Fairfield County,
Dranow carved out a restful sitting nook in the large living room.
Dranow carved out a restful sitting nook in the large living room.
Splashes of vivid color were a must for Volpone.
Muse used a soothing gray-blue paint in the family room to create a backdrop for a host of lively fabrics including pillows dressed in a blue-and-taupe leaf motif from Zoffany and geometric stripes by Christopher Farr Cloth. New Lucite hardware and a freshly lacquered mantel increase modernity.
The living room’s high level of -interest stems in great part from all “the varied elements of texture,” says the designer. The metal side table is topped with petrified wood, while two stools flaunt velvet-clad bases to complement their seats of striped fabric by Duralee. Pale linen curtains afford privacy and soften the windows. The arresting painting is by Patrick Wilson.
The living room’s comfortable furnishings echo the sand, sea-blue and corals of the beach outside.